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(Berklee Guide). Make advanced guitar harmonies more intuitive and effective. This inventive approach to imagining and organizing notes will expand your concept of guitar harmony. You will be able to organize and use tensions more easily and with greater expression, whether you are soloing, playing in a rhythm section, or in a solo guitar context. Practical etudes over popular chord changes will help you to understand and apply these new theoretical concepts. The accompanying recording includes examples and play-along tracks, featuring innovative guitarists Mick Goodrick and Tim Miller, along with an all-star rhythm section featuring Terri Lyne Carrington on drums and John Lockwood on bass. You will learn to: develop and apply new chord voicings, using a rich palette of notes; isolate and organize the most essential notes of any chord-scale (Generic Modality Compression); view chord scales as five families of 3-note chords: triads, sus4, clusters, 7th no 3, and 7th no 5), to be used systematically and simultaneously; leverage this chord-scale organization to lead you to inventive harmonies; incorporate tensions more intuitively into your comping and lead lines; and use new arpeggio patterns in linear improvisation. Audio files are accessed online for download or streaming using the unique code inside each book.
- Sales Rank: #94261 in Books
- Brand: Berklee Press
- Published on: 2012-01-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .29" w x 9.00" l, .40 pounds
- Binding: Paperback
- 104 pages
Most helpful customer reviews
39 of 40 people found the following review helpful.
Nothing short of revolutionary.-Harmony/melody/composition in one thought
By D. Lee
This book is 95 pages of a vision that unifies harmony, melody and compositional texture in sounds that I couldn't believe existed in my guitar. In 5 chapters of discussion, etudes, arpeggio explorations, "compressed modal" explorations and a rich section on implications and applications of the material, Mick Goodrick has presented an entirely new attitude that makes perfect sense yet unlocks doorways into beautiful sounds completely missed in the harmonic perspective up to this point.
In his previous books, Goodrick has consistently tackled and expanded the boundries of guitar as an improvisational and compositional instrument. He can arguably be called the granddaddy of modern jazz guitar having passed his knowledge on to the who's who of contemporary creative jazz guitar. His books have been exhaustive, uncannily insightful yet challenging in their open ended possibilities. This book may be the most approachable edition to date, with usable examples on chord progressions that demonstrate the utility of the concept and the power of the approach.
One note of note: The book is written in standard notation. There IS a CD with examples played by the co-author and notable guitarist in his own right Tim Miller, but fluency in reading and triad voicings will be most helpful. If you are beyond the hand holding foundational material stage, this is a truly rewarding work. If you are searching for ways to expand your creative base and craving totally new colours to use in any situation, this book could very well be the new currency standard.
I'm going to be busy for a very long time.
20 of 23 people found the following review helpful.
Great Book and Fantastic Play Along
By Louis W. Arnold
I've followed Mick Goodrick's books and recordings for years and truly his work is a narrative on deep and rich harmonic practice for guitarists and all musicians. This book thoroughly details a complete system that yields strikingly beautiful sounds. You need to read music and it will help to have an understanding of chord types and voice leading as well as a well developed knowledge of the fingerboard.
The play along features John Lockwood on bass and Terri Lyne Carrington on drums. These are world class (I mean the very best) players. The examples are on the changes to Stella and you will know this tune backwards and forwards if you work with this book. What blows me away is Terri Lyne's and John's creativity in making this recording: the seemingly endless variety that they achieve within multiple renditions of the same tune at the same tempo is an education and an inspiration!
14 of 16 people found the following review helpful.
Modern Guitar Heaven
By marco villarreal
This book is the real deal. It's a good recommendation to have a solid theoretical foundation before digging deep into to this. I was fortunate to study with Mick in 2002. I have all three voice-leading almanacs and of course, The Advancing Guitarist. You probably want to be familiar with those works. The jist of this book is removing the root note from a mode and organizing the remaining 6 notes into two 3pt structures. Bottom line is when you apply this principle you really start to hear these beautiful harmonies and melodies. It's a fantastic work. Props to Mick and Tim.
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